In another part of my life, I help run a newsletter of social justice events. There’s a joint Jewish-Muslim event coming, and yesterday I received an email that read, in part, “The Palo Alto Police Department recommends not putting it on social media, so we are refraining from that.” My first thought was, “Let’s advertise it! Bring on the white supremacists! Let them show their faces.” I’m not going to do that, but a substantial part of me wants to.
We found the words of the post comforting. As the author notes,
The song is an anthem, a meditation on the ultimate lesson of the freedom fight passed down generationally by Ms. Ella herself that is meant to be spoken boldly out loud or under one’s breath as the situation demands to empower both purpose and resolve.
“…and then some of them took a knee and got out their gas masks, and at this point I was telling some of the policemen, ‘This is not necessary! What are you doing?'”
Here at Small Stones, we define education, and educators, broadly. So often, classrooms appear in the most unexpected places.
As we continue our own work of interviewing some of these educators, we wanted to share with you work from a friend of the blog. Photographer and photojournalist Eze Amos, a Charlottesville, Virginia local, has found himself in the middle of some of the larger protests and counter protests that have taken place since the 2016 election. We are featuring some of his images in this post; there are far more on his Instagram feed.